BIOGRAPHY

ALEXANDER EDWARDS is a multidisciplinary artist whose work engages systems of preservation and obsolescence as material conditions rather than metaphors. Working across sculpture and installation, he employs perishable matter and discarded materials—including spices, e-waste, wood, and obsolete technologies—to construct contemporary reliquaries in which degradation becomes a record of time, labor, and survival. Decay is not treated as loss but as evidence: a trace of circulation, use, and exhaustion through which value persists.

Drawing on still-life traditions and memento mori while operating within a landscape of technological surplus, Edwards positions preservation as both ritual and containment. His sculptures accumulate, seal, and restrain matter, producing quiet archives that hold temporal instability and bodily presence in suspension. Shifting between intimate scale and architectural weight, the work resists nostalgia, instead framing fragility as a structural condition embedded within biological, social, and technological systems.

Edwards has exhibited at Emmanuel Gallery (Denver), Kate Werble Gallery (New York), and Ruscha & Co. (Los Angeles), and has received institutional support from Hangar Centro de Investigação, Lisbon. He attended Pratt Institute and is based in Brooklyn, New York.